Here at The HaPenis Project we see Socialist Pornography as a juddering movement beyond “Post-Porn”. We judge porn as any other form of art. IT ALL COMES DOWN to an agreement between the artist and the subject. Socialist Pornography states that the means of making, moving, and trading pornography should be owned or controlled by the workers. This means the money made belongs to the workers who make the porn, instead of groups of private owners. People who like this type of porn are called socialists. And of course, the best Socialist Porn is when the subject is the artist.
Academic Post-Porn
Post–porn is much more than pornography: The term post–porn describes an interdisciplinary, activist and subcultural practice and artistic strategy that does not primarily focus on sexual enjoyment but criticises socio-cultural orders and normative and hierarchical forms of identity.
Academic Post-Porn
POST_CUNT
Also known as feminist porn or queer porn, the movement is born in the 1990′s in a hunger to expend the representations of the body and sex, experiment new forms of desire as well as to criticize mainstream pornography. It’s intention is to knock down society’s so called norms and stereotypes about sexuality and gender identities through essays, videos, performances, digital work and conceptual art.
POST_CUNT
Teaching Post-Pornography
We propose that ‘post-pornography’ expands Porn Studies beyond its focus on explicit representations of sex. First, we outline the history of post-pornography as a concept that emerged in the sex-positive, anti-censorship and queer/feminist moment in the United States in the 1980s and 1990s and has subsequently been taken up by a diverse group of artists, activists and scholars to describe practices that both reference and attempt to move beyond pornography.
Teaching Post-Pornography
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